You may choose to use any of the available Reason outputs, just as long as you make sure to also choose the corresponding outputs in the Pro Tools ReWire window. This will display the so–called back of the Reason interface and reveal the audio output mixer section. You can view which outputs Reason is currently using by hitting tab on your keyboard. When first opened, Reason will automatically route all of the audio out of the Reason Audio Outputs 1–2 (which correspond to Mix L – Mix R in the Pro Tools ReWire Window). These outputs correspond to all available outputs coming in from Reason. Step 4: In the ReWire window within Pro Tools, choose your desired Reason output. You will notice that Reason is properly in ReWire mode when Rewire Slave Mode shows at the top of Reason’s Hardware Interface Section. This process will open the ReWire window in Pro Tools and automatically launch the Reason application. Step 3: Under the Inserts section of the new Instrument Track, scroll down to Plug–Ins > Instruments > Reason. Step 2: Create a new Instrument Track in Pro Tools (File>Track>New). These are obviously far from the only ways to combine DAWs using ReWire, but the two situations outlined here are flexible templates for combining whatever DAWs you choose to work with. Two Common and Useful Combinations with ReWire Rewire can be found in over 40 programs, but it is important to note that not all programs can be both the host “Mixer," as well as the slaved “Device." Here is a complete list of how ReWire has been implemented into the landscape over the years. Therefore, you’ve dissolved the limitations of only using only one DAW and its limited boundaries. With the power of ReWire, you are able to take advantage of Ableton’s clip view (or any other of Live’s built in tools), while still using Pro Tools as your main sequencer. That distinction is shared between Ableton Live, Logic Pro, and FL Studio, which pride themselves on unique built–in functionality for manipulating audio loops and MIDI information.įor example, Ableton Live’s clip view is an efficient way to quickly switch between patterns and ideas, helping you sketch out musical thoughts much quicker than you may be able to in Pro Tools. The Basics of ReWireīack in the distant past of 1998, just before Napster hit our screens and years prior to Ableton sweeping laptops worldwide, software engineers at Propellerhead and Steinberg joined forces to create the ReWire software protocol.įor me - a die–hard Pro Tools user and electronic/hip–hop producer - ReWire has become an essential part of my everyday workflow.Īs you likely know already, Pro Tools is not the go–to production environment for electronic music production. So why not use both programs? This is where ReWire comes in, allowing you to take advantage of multiple programs, simultaneously. Likewise, working with audio tracks in Reason is much more of a pain than it is in Pro Tools. Reason’s REDRUM computer is the perfect tool for such a task. For example, Avid’s Pro Tools is the industry standard for tracking live bands and working on audio–heavy projects, while Apple’s Logic Pro and Ableton Live have been widely accepted as the main DAWs for electronic music production.Īnd though you may argue that each DAW is equally capable of quality production (in the hands of an experienced user), there will always be specific tools in one DAW that just aren’t native to your DAW of choice.įor example, if you are a Pro Tools user, you may find yourself lacking the built–in functionality of a drum–machine–style step sequencer that you can load your own samples into. Many of these applications have been lovingly adopted in different sectors of the recording industry. Pro Tools, Cubase, Ableton Live, Reason, Logic, and FL Studio (just to rattle off a few) have wrested the power of recording from the expensive studio and put it right in the hands of the music maker at home. In today’s digital recording landscape, there is a vast forest of software options.
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